German-American artist Hans Haacke created a participatory physical bar chart as part of a 1970 exhibition at the Museum of Modern Art (MoMA). The audience expressed his opinion on the question "Would the fact that Governor Rockefeller has not denounced President Nixon's Indochina Policy be a reason for your not voting for him in November?". The left plexiglass box collected "Yes" answers, while the right box collected "No" answers. Rockefeller was running for re-election and was a major donor […]

This installation from American artist Chris Burden shows the 625 submarines of the US fleet from the late 1890s to the late 1980s. The cardboard models have been suspended at different heights to look like a school of fish. Sources: Found on Loren Madsen's lecture slides Art as Information – Information as Art. Wikipedia article on Chris Burden. Photo from Giorgia Valli, Grey Magazine. Related: Also see our other entries on single-datum physical visualizations.

One bead = one year. Size of colored beads is proportional to number of terrorist-caused deaths. Black beads = no terrorist deaths. The largest bead is 2001. Also see Loren Madsen's earlier piece Tops (2001) featuring the same dataset, our entry 1995 – Loren Madsen’s Early Data Sculptures, and our interview with the artist. Sources: Loren Madsen

American artist Cory Imig reconstructed the layout of the city of Savannah using LEGO bricks, and over the course of one month she added a colored brick every time she went to a particular place. Each color is a different day of the week. Source: Cory Imig (2008) Psychogeographical Mapping (see the section Documenting of her Web page for more data sculptures).

Windcuts is a physical information visualisation retelling the Helsinki wind's travels over five days, using wind sensor measurements from Helsinki, and wood and a CNC machine to cut it from there too. [...] The line's direction shows the wind's direction, the line's width shows the wind's speed - a more intense wind makes a bigger line - and the line's height shows the wind's temperature. Source: Miska Knapek (2012) Windcuts.

Two Yale architects created a room-sized physical visualization of world population density folded into itself: Hsiang and Mendis then turned that spatial visualization into a physical installation at the 2011 Chengdu Biennale in China. They modeled the population distribution of the entire world in a kind of inverted map that visitors could walk into, inside a 10-by-10-by-10 foot room, with North America on the ceiling, Asia on one wall, Africa on another (see also the little boy in the above […]

Punchcard Economy is a machine-knitted tapestry inspired by a 1856 banner advertising the Eight-hour day movement. The layer of visual noise shows today's departure from the eight-hour day philosophy. Working hours were collected from 116 participants, and each hour of work outside normal working hours was encoded as a color-inverted knit. A smaller version was made for the 2014 Data as Culture exhibition. Sources: Sam Meech (2013) Punchcard Economy. Explanation of the data encoding in this […]

California-based artist Loren Madsen, a long-time data sculptor (see our 1995 entry and our interview with him), created an outdoor sculpture where steel tubes show falling crime rates across eight crime categories over 30 years. The sculpture stands in front of a police station and jail in Chicago City. Sources: ​Healther Schultz (2015) California Sculptor Completes Commissioned Piece. Image courtesy of Loren Madsen. Also see Steven Pinker's TED Talk on the topic.

This wooden matrix is a large-scale replica of Jacques Bertin's reorderable physical matrices. It shows a subset of the World Value Survey, a series of questionnaires that assess people's moral values across countries and years. This physical visualization is interactive as row and columns can be manipulated, promoting engagement and collaboration. This 18x20 matrix was built by Mathieu Le Goc in the Fablab Digscope with Charles Perin and Romain Di Vozzo, on the occasion of the 25th birthday of […]

This visualization created by Jennifer Payne and inspired by Samuel Huron's visual sedimentation was created from gumballs, an acrylic (plexiglass) box and adjustable foamcore bin dividers. Huron's work is inspired by the physical process of sedimentation. The above figures illustrate a participatory representation of hours of sleep for a university population, with different colours of gumballs representing different groups present on a university campus (i.e. blue gumballs for graduate […]