A physical visualization by Scottish physicist James Maxwell (left), constructed over the course of about seven months, from November 1874 to July 1875, based on the descriptions of thermodynamics surfaces described in two 1873 papers by American engineer Willard Gibbs. The molded shape depicts the geometry of the three-dimensional thermodynamic surface of the various states of existence of water: solid, liquid, orgas, shown on Cartesian coordinates of the entropy (x), volume (y), and energy […]

Nobel prize winning crystallographer Dorothy Crowfoot Hodgkin created another physical visualization in the mid 1940's, showing part of the structure of penicillin. An original of this artifact is in the Oxford Museum of the History of Science. This technique recently inspired artist Angela Palmer for her glass portraits. Sources: Lachlan Michael and David Cranswicka (2008) Busting out of crystallography's Sisyphean prison: from pencil and paper to structure solving at the press of a button: […]

Left image: The very first physical model of a protein (myoglobin) built by crystallographer John Kendrew in 1957 using plasticine. The image is from a 1958 Nature article, for a more recent photo see here. In 1960 Kendrew completed a higher-resolution skeletal model known as the "forest of rods". The model was 2-meter wide, made of brass, and supported with 2,500 vertical rods, making it barely legible. Colored clips were attached to the rods to visualize electron density. See photos here and […]

Artist Bathsheba Grossman has been 3D printing mathematical surfaces as early as 1997. In 2002 she started to use subsurface laser engraving to produce 3D physical visualizations of data from astronomy, biology, and physics. Left image: a piece of DNA molecule. Right image: a 3D map of our nearby stars. The artist explains to us: This medium excels at imaging less structural data such as disconnected volumes, non-compact point clouds, and the convoluted strands of proteins. It works by […]

Cylinder by Andy Huntington and Drew Allan may be one of the first digitally-fabricated sound sculptures. Source: http://extraversion.co.uk/2003/cylinder/ Related: Also see our entry 2007 - Explosion of sound sculptures.

In 2007-2008, sound became an endless source of inspiration for data sculptors. Examples include (images from left to right): Binaural by Daniel Widrig & Shajay Bhooshan (2007) Sound/Chair by Plummer Fernandez (2008) Sound Memory by Marius Watz (2008) Reflection by Andreas Nicolas Fischer & Benjamin Maus (2008) I Will Never Change by Us by Benga (2012) Microsonic Landscapes by Juan Manuel de J. Escalante (2012) The Shape of the Sound of the Shape of the Sound by Stephen Barrass (2012) […]

Weather data is another interesting choice for creating data jewelry. Above to the left is a bracelet created by Mitchell Whitelaw based on one year of weather data from Canberra. The right image shows a measuring cup made by the same artist, where each ring represents monthly average temperatures in Sydney over 150 years. Sources: Mitchell Whitelaw. Weather Bracelet (2009) Mitchell Whitelaw. Measuring Cup (2010)

A company lets you enter in cities you've been to and generates a physical mesh to order as a necklace, earrings, or cufflinks. Source: http://meshu.io/

Ben Kauffman and Sam Brenner created this visualization as part of the ITP program at the NYU Tisch School of the Arts. It is a combination of a 3D-printed relief map of New York City with beads where each bead represents one school location. Each bead on top of the relief map is connected to a string below whose length indicates the number of students who dropped out of that school. Source: More pictures, a video and all the details on the project can be found on their project page.

Left image: A 3D printed version of the "Forbes 2000" list showing the 240 largest companies, by Volker Schweisfurth. Market value is mapped to surface area, sales volume is mapped to volume, and the continent from which the company originates is mapped to color (America (blue), Europe (green), Asia (yellow)). The picture illustrates how a physical model of this 3D visualization gives a better impression of perspective than the printed perceptual cues in the original paper visualization. Right […]