[Data Beyond Vision] explores new ways of engaging with a dataset and the arguments and narratives behind it, in order to challenge the dominant paradigms of conventional screen-based data visualization. The project currently comprises:
- 3D printing a model of library member activity over time from the Shakespeare and Company Project juxtaposing documented activities from two sets of archival materials
- Folding paper forms of borrowing activity from the Shakespeare and Company Project surfacing the activity of women and and non-famous members
- Weaving representing intertextuality based on references in Jacques Derrida’s de la Grammatologie from Derrida’s Margins
Images from left to right and top to bottom: (1) some of the data physicalizations designed in the course of the project; (2) lollipop chart of Shakespeare and Company membership; (3) unit origami volumetric representation of Shakespeare and Company membership; (4) folded model of Shakespeare and Company lending library membership activities; (5) weaving Derrida’s references.
Sources:
- Koeser, Rebecca Sutton, Gissoo Doroudian, Nick Budak, and Xinyi Li. “Data Beyond Vision.” Startwords, no. 1 (October 2020). https://doi.org/10.5281/zenodo.3713670.
- Koeser, Rebecca Sutton, Nick Budak, Gissoo Doroudian, and Xinyi Li. “Data Beyond Vision,” July 11, 2019. https://doi.org/10.5281/zenodo.3261531.
Added by: Rebecca Sutton Koeser & Pierre Dragicevic.
Category:
Passive physical visualization
Tags:
3d printing, digital humanities, kirigami, origami, weaving