Woven Chronicle is a cartographic wall drawing that, in the artist’s words, represents “the global flows and movements of travelers, migrants, and labor.” Kallat uses electrical wires—some of which are twisted to resemble barbed wire—to create the lines, which are based on her meticulous research of transnational flows. Wire is an evocative and contradictory material: it operates as both a conduit of electricity, used to connect people across vast distances, and as a weaponized obstacle, such as the fences used to erect borders and encircle refugee camps. Kallat’s family was splintered by the Partition of India in 1947 upon independence from Britain, which divided the country geographically along religious lines and induced the movement of more than ten million people in one of the largest forced migrations in human history. Woven Chronicle speaks to this personal memory—and collective history—in its material presence, merging the artist’s research on migration with metaphors of violence, and accompanied by an ambient soundscape that evokes the steady hum of global movement. Source: Reena Saini Kallat (India, b. 1973), Woven Chronicle, 2011–19

Prototype of a series of physical maps that will be exhibited across 94 cities worldwide in fall 2020. Each of the 3500 hand-written toe tags represents the recovered body of a migrant who died while crossing the US/Mexico border in the Sonoran Desert between 2000 and 2020. Coordinated by the Undocumented Migration Project (UMP). To learn more about UMP and the context of this map, listen to the Radiolab podcast series Border Trilogy. Sources: hostileterrain94.wordpress.com Left image from Twitter user Jer Thorp Right image from hostileterrain94.wordpress.com