In 1995, Mike Bailey from the San Diego Supercomputer Center created the SDSC TeleManufacturing Facility to help scientists visualize their data in physical form. In 1997, the facility produced one of the first digitally-fabricated molecular models using laminated object manufacturing. The biochemists involved in the project got insights that they were not able to get from the on-screen 3D models, and concluded that: modern physical models are important tools that significantly extend the […]

Artist Bathsheba Grossman has been 3D printing mathematical surfaces as early as 1997. In 2002 she started to use subsurface laser engraving to produce 3D physical visualizations of data from astronomy, biology, and physics. Left image: a piece of DNA molecule. Right image: a 3D map of our nearby stars. The artist explains to us: This medium excels at imaging less structural data such as disconnected volumes, non-compact point clouds, and the convoluted strands of proteins. It works by […]

Cylinder by Andy Huntington and Drew Allan may be one of the first digitally-fabricated sound sculptures. Also see our entry 2007 - Explosion of sound sculptures. Source: http://extraversion.co.uk/2003/cylinder/

Since 2004 the Molecular Graphics Laboratory at the Scripps Research Institute has been making heavy use of 3D-printed full-color physical molecule models, some of which are articulated (left image), flexible (middle image), and even self-assembling (right image, see video). They also publish augmented reality systems that use those physical models. Also see our entry 1995 – SDSC TeleManufacturing Facility. Sources: Web Page: http://mgl.scripps.edu/projects/tangible_models Tommy Toy (2011) How […]

In 2004, the Visualization Research Lab from Brown University printed full-color 3D models of scientific visualizations. They published a poster on the topic where they discuss the technical challenges they faced. The printer used was a Zcorp Z406. Also see our entry 1995 – SDSC TeleManufacturing Facility. Source: http://vis.cs.brown.edu/areas/projects/rapid.html

Paul Bourke proposes to use sub-surface laser engraving for communicating about scientific findings at conferences. He also has seminar slides and a poster discussing the use of 3D-printed models. Source: Paul Bourke (2008) Presenting Scientific Visualisation Results as 3D Crystal Engravings.

Windcuts is a physical information visualisation retelling the Helsinki wind's travels over five days, using wind sensor measurements from Helsinki, and wood and a CNC machine to cut it from there too. [...] The line's direction shows the wind's direction, the line's width shows the wind's speed - a more intense wind makes a bigger line - and the line's height shows the wind's temperature. Source: Miska Knapek (2012) Windcuts.

Weather data is another interesting choice for creating data jewelry. Above to the left is a bracelet created by Mitchell Whitelaw based on one year of weather data from Canberra. The right image shows a measuring cup made by the same artist, where each ring represents monthly average temperatures in Sydney over 150 years. Sources: Mitchell Whitelaw. Weather Bracelet (2009) Mitchell Whitelaw. Measuring Cup (2010)

Temperature measurements in Helsinki from May 2009 to May 2010. Each row is one week long. Source: Miska Knapek, see flickr photoset.

This is a 3D scale replica of the United States, the state height corresponds to the number of electoral votes each state controls in a presidential election. Source: thing 11178 on thingiverse.com

During the Generator.x 3.0 workshop, interaction designer Andrej Boleslavský created a radial visualization of page visits where each day spans a specific angle of the ring, and the entire ring spans one year. Source: Andrej Boleslavský (2012) Google Eye.

American designer Matthew Epler shows how to build physical visualizations out of silicone using 3D printing and mold casting. He also shows how to use them to make political statements. Source: Matthew Epler (2012) Grand Old Party (video here).

Left image: data sculpture by Dutch designer Matthijs Klip showing life expectancy of the Netherlands population. Each bar maps to an age; the bar's height represents life expectancy while its length represents the amount of people having that age. Right image: other designs by Matthijs Klip. Source: Matthijs Klip (2012) Physical Information Design.

Doug McCune is a programmer turned artist, and he is obsessed with maps. In 2013, he got bored with screens and started to build physical thematic maps. He specializes in turning "horrible data" such as murders and natural disasters into beautiful objects. Above on the left is an artwork titled "stalagmite crime" that shows elevation maps of crime rates in San Francisco: narcotics-related crimes (green), prostitution (blue) and vehicle theft (orange). Sources: Doug McCune (2013) Physical Maps – […]

Punchcard Economy is a machine-knitted tapestry inspired by a 1856 banner advertising the Eight-hour day movement. The layer of visual noise shows today's departure from the eight-hour day philosophy. Working hours were collected from 116 participants, and each hour of work outside normal working hours was encoded as a color-inverted knit. A smaller version was made for the 2014 Data as Culture exhibition. Sources: Sam Meech (2013) Punchcard Economy. Explanation of the data encoding in this […]

Loci by Andrew Spitz lets you easily create physical 3d arc diagrams based on your past flights, and may be soon be available through an iphone app. Source: Andrew Spitz (2013) Loci - 3D Printed Sculptures of Your Flights.

Jeff Hemsley from Syracuse University explains how to create solid models of social networks using the statistical package R and a 3D printer. 3D node-link diagrams have been explored for a while due to their potential benefits. One is that any node-link diagram can be laid out in 3D without any link crossing. Some studies have also shown that in some cases 3D node-link diagrams are easier to read than 2D ones. However, 3D visualizations are generally hard to navigate and to perceive on regular […]

Ryo Sakai and Jan Aerts from the Bioinformatics/Data Visualization Lab at KULeuven created a data-driven sculpture representing inbreeding in a particular chicken. Each loop in the sculpture represents a chromosome. On the outside is a histogram of the heterozygosity of the DNA; the inside a histogram of the homozygosity in that region. These sculptures are part of the Cosmopolitan Chicken Project, and have been presented at the Art Biennale in Venice. Source: Text and images from Jan Aerts.

Toronto-based startup DataAppeal, which develops Web apps for 3D geo-spatial data visualization, created this very pointy stalagmite-looking elevation map of GTA Transit volume in Toronto. Sources: Andy Kirk (2013) 3D Printing Capabilility via DataAppeal Maps. Candice So (2013) Data visualizations go from flat to 3D.

Student and interaction designer Charles Aweida used a foam board, a robot and lots of nails to build a physical visualization of a wind simulation. Sources: Charles Aweida (2013) An exploration in art + robotics representing wind through digital fabrication and the tangible. Via The Creator Project (2013) Data Sculpture Of The Wind Created Using A Robot And Lots Of Nails.

This data sculpture created by Nilam Ram from the Studio|Lab team at Penn State University shows the evolution of cortisol levels for 34 people after they experienced a stressful situation. Source: Nilam Ram (2013) Cortisol Data Sculpture.

This 3d data visualization, created by Johannes Jacubasch and Judith Weda, shows sea ice levels from 1979 to 2012. The years are plotted on one axis and the months on the other axis, while the height of the wooden pieces shows the level of sea ice. This data visualization can be opened up at any year or month to view the data from up close. If you break the Y-axis it shows all the data from a particular year. If the X-axis is broken it shows ice levels of a particular month over all the years. […]

Laura Perovich explored the concept of data-driven clothes as part of her Master thesis at the MIT Media Lab. The fashion dresses above show the concentrations of 100 chemical contaminants measured in the air of a particular household (left image). Chemicals are mapped to small squares and relative concentration is mapped to square size. Squares are repeated to create lace patterns (right image shows the concentration of several factory-related pollutants). In her thesis Laura Perovich […]

Artist duo Ruth Jarman and Joe Gerhardt created this two-meter spherical wooden sculpture located in a forest in England, and representing the take up and loss of carbon dioxide from the forest trees across one year. Watching the video, I was somehow expecting this sphere to roll at some point, but it did not happen. Source: Semiconductor (2014) Cosmos.

During his residency at Autodesk, artist Scott Kildall created crystal-looking data sculptures by turning world data such as city populations into small cubes laid out on an Earth globe, then running a force-directed algorithm that conglomerates them into a monolithic structure that can be 3D-printed. The image above shows the 2500 nuclear detonations in recorded history, two of which (the black dots) are the bombs dropped at Hiroshima and Nagasaki, the only ones used as weapons. Source: Scott […]

Visual journalist Jon Keegan created this quick chart using U.S. unemployment rate starting from January 1948 (the first year that the U.S. started to record the number) through the end October 2015. The long axis represents years from 1948-2015, and each column is made of of 12 chips, each representing one month's unemployment rate figure. The height of each chip represents the rate for that month. One can see a dramatic cliff start to rise up in the fall of 2008, as the global economic […]

The visualization explores the direct influence of weather and traffic volume on air pollution, comparing data of a 4-week period during summer 2015 in Lugano (Switzerland). Different colored laser cut plates fixed on wires represent daily data. As the wires are diagonally mounted on the structure, looking from different sides, they evidence either daily data or the evolution of the parameters. Source: Carola Bartsch (2015), Summer in the city

This necklace made by Stefanie Posavec and Miriam Quick shows one week of air quality data measured in the city of Sheffield. Each segment is a period of 6 hours, and its appearance conveys the concentration of particulate matter during that period of time. A low concentration yields a small, round, green segment. A high concentration yields a large, spiky, red segment. Also see our entry 2014 - Data Clothing: Dresses Show Air Pollution. Sources: Stefanie Posavec (2015) Air Transformed: Better […]

Kellyann Geurts and In Dae Hwang, Monash University, give physical shape to thoughts by turning EEG data into solid objects. During three public events at Melbourne in 2016, she placed a mobile EEG device on volunteers and asked them to think of a memory or emotion of their choice. Their EEG output was translated in real time into a 3D shape they could see on a computer screen. Participants could then press a button to pause the shape and send it to a 3D printer. They were then invited to write […]

Seasonal plot of the monthly average temperature in Central Park NYC since 1869. The long axis is mapped to years, the other axis is mapped to months from January to December. Data sourced from the National Weather Service. Source: RoundTableRdDesign on shapeways.

Blood flow data from cardiac 4D Flow MRI (magnetic resonance imaging) holds much potential for research and diagnosis of flow-related diseases. However, understanding this data is quite challenging – after all, it is a volumetric vector field that changes over time. This paper proposes a novel slice-based physical model as a complementary method for visualizing the flow data. The design of this model respects the conventional method of viewing medical imagery (i.e., in cross-sections) but has […]